Es wird
getanzt, gesprochen, geschwiegen, zugehört. Improvisiert und
choreografiert. Ein Raum wird gestaltet, performativ inszeniert. Im
Hintergrund steht eine diskursive Selbstbefragung der oftmals als
unkritisch bezeichneten Tanzkunst.
Texte & Achivmaterial -
texts & backup for choreographers and visitors
#1
"Debate is the war of annihilation practiced as a form of politeness (where the annihilation remains symbolic)"
Irmela Kästner
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Texte & Achivmaterial -
texts & backup for choreographers and visitors
#1
"Debate is the war of annihilation practiced as a form of politeness (where the annihilation remains symbolic)"
Brian Massumi, Université de Montréal,
Canada
in: "On Critique"
Weblink: "On Critique" by Brian Massumi
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#2
"There are always at least two bodies. These two stand close, facing one another, reaching toward an embrace that will signal an acceleration of the movement that has always already begun. The movement within becomes a movement without, not internal-external but folding and bridging in an intensity of preacceleration. This means: you are never stopped."
Erin Manning, MIT Press
Excerpt from the First Chapter of „Relationscapes“
Weblink: "Relationscapes"
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___________________________________________
#2
"There are always at least two bodies. These two stand close, facing one another, reaching toward an embrace that will signal an acceleration of the movement that has always already begun. The movement within becomes a movement without, not internal-external but folding and bridging in an intensity of preacceleration. This means: you are never stopped."
Erin Manning, MIT Press
Excerpt from the First Chapter of „Relationscapes“
Weblink: "Relationscapes"
__________________________________________________
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Vielen Dank für den Beitrag.